- What roots do you have in your city?
- What does your knowledge of a city say about how you navigate it?
- What are you not moving towards and why?
- How does the wind blow in your environment?
- What knowledge are your locals aware of?
- What unspoken agreements do we have in our immediate communities?
- How is your city shifting?
- How does my situated gaze condition the way I regard things?
- Which codes make my reading (of art) possible?
- What are the politics of my seeing?
- Every collection is a reduction, when something is chosen … something is not. How can I choose better?
- How does my positioning reflect my priorities?
- What are the ethics of my priorities
- Who decides what is sufficiently worthy to be seen in the museum?
- What place do the stories around us have in these institutions and how do we ensure that they have an impact outside of the building?
- Look at yourself, and your positionality within an institution and ask what you wanna give attention to… and how?
- Can we bring hidden stories to the mainstream?
- Are we the mainstream?
- How can we contribute to our democracy by showing stories that are hidden?
- How do we approach negative colonial history in present times?
- Do we need to teach all to read into that history?
- I’m curious about the word “public” in public storage. How do you imagine the role of the public and what kind of
- interface or relationship to the pubic storage do you imagine for them to have?
- Do you plan to have the “traditional” separation between stored and exhibited artworks and decimated spaces?
- I would be curious to know how you collect or build alternative and diverse narratives around topics like ‘ How do we remember cultures?’
- How do you communicate with someone who doesn’t want to communicate?