Journal

A visual and sound exploration of what the one-week Barcelona workshop was like, in words, images and music, from Fito Conesa, Barcelona-based artist who was with us for the week.

On Friday 5 November an online session was dedicated to shared practices by the six Dancing Museums choreographers. Ana Pi, Eleanor Sikorski, Ingrid Berger Myrhe, Masako Matsushita, Quim Bigas and Tereza Ondrova who in turn suggested physical practices and scores that could be used later on whilst in a museum or imaginary journeys to make from home.

Ana Pi went first, and suggested a collective practice called ‘Immobility and interruption‘. The practice was called that to resonate with the collective trauma from the murder of George Floyd by Derek Chauvin, Ana explained. The core of this invitation was to be with contemporary questions, with the news, with political matters. “This violence entered our lives and I want to respond with poetry” Ana added.

How much can happen when we are still? In our own homes?

A song was played for five minutes – we each chose a position that we held for 5 minutes.
Our eyes couldn’t move while we were being still.
The song was They don’t really care about us by Mickael Jackson.
When the music stopped, we each took another position, one we might have seen on our screen and reproduced it, inspired by another person. And, as if we were clay being remodelled, we slowly transitioned into the new position.

We became still, like live statues, and stopped for 5 minutes. This also resonates with the political action of removing statues that are reminiscent of racism and colonisation from the public space, and with a work Ana developed this autumn at the MAC VAL Museum, called È𝑺𝑪𝑼𝑳𝑻𝑼𝑹𝑨 (and we will share more on this project on the Journal later).

Eleanor Sikorski then asked us to turn our cameras off. She took us on an audio-guided tour. A visit of Newstead Abbey, one of the museum spaces she is working with in Nottingham.
We were invited to close our eyes and follow her, virtually approaching and entering the building, discovering the architecture and some of the works and artefacts present there through her words. Listening to her voice calmly depicting the surroundings, our gaze seemed to hover over the premises, floating from room to room as a disembodied presence.

A white man – a lion – a black man – a horse – another white man

These words stay with me as the depiction of the protagonists of a painting hung on a wall at Newstead Abbey.
I was curious to see what the painting looks like so I went online.

It resonated with Quim’s virtual stroll trough Fundació Joan Miró from earlier in the week, using audio to feel connected when we are apart.

Ingrid Berger Myrhe shared part of her research itinerary when suggesting experiencing the museum space as a scavenger hunt.

“There is already a lot of movement in a museum: people going in and out of the building, the dramaturgy of people moving inside from room to room, exhibitions put up and down, the place is dynamic. And as with the Boijmans Van Beuningen’s Collection in Rotterdam, it is a moving one, changing from one building to another during renovations I felt that my role there was not so much about dancing but thinking about choreography through the building.
And so organising a treasure hunt in the space stimulates curiosity and conjures up different ways of seeing things (by not just looking), enabling to play with new perspectives, multiple directions, distance and proximity, agenda… A map has to do with the politics of seeing, as it is a worldview, and a tool to be put in motion by the people that are using it.”

Masako Matsushita invited us to grab a paper and a pen.
The paper was divided into different spaces.

Write what movement means for you today, right now
Draw the space you’re in
Choose and name a cardinal point using a compass if you have one on your phone or at hand
Choose, name a movement.

Then Masako said, or I wrote, or we spoke about:

care / senses / a flow between in and out, inside and outside
taking the time
a personal experience → including a community → sharing knowledge
personal archive / memory / cultures / geographies / identities / intimacy / digital or non digital
tools and processes going from outside in / inside out
a community created by participation
a personal guided tour: measuring the space with one’s body, how many times does it fit in a given space?

Another practice, another moment, like Quim Bigas‘ suggestion.

Pointing our cameras towards a door near us.
Looking at it, considering this threshold.
Doors are liminal places.
How do you feel before entering a space, standing outside, about to cross the threshold?
A door can be difficult to close.
People may have walked away from there and never been back.
How can some people return and be present, even if they are not?

To close this sharing of possible practices, Tereza Ondrová suggested an experience called Sculpting the connection.

Choose a small object around you.
Now a big one.
Approach the small one from the big one.
What about touching the big object with the small one?
And what about:
taking more time to observe, reflect, choose
be a learning practice
be in a collective again
be into an observation and be fully connected to everybody at the same time
finding ways of transmitting connections
drawing focus on a person’s intimate archive
how to get out of immobility?

(mine were a red apple and a couch).

The afternoon continued with the group Favelinha Dance from La da Favelinha, who were guests during this residency, and an intervention within the Museum collections in collaboration with Ana Pi.
Everyone gathered in the Museum hall to finish the day around Ana Pi Radio Mix, broadcast live on 96.2 FM. Daniel Favier, Director of La Briqueterie and choreographers Eleanor Sikorski and Masako Matsushita were among Ana Pi’s guests!

On the last day of this week at Ivry and Vitry-sur-Seine, the Dancing Museums team and their guests shared an afternoon and evening of propositions with the public of the MAC VAL Museum. Here’s an overview of the rich programme in pictures, beginning with the first part of the afternoon: a collective proposition from the six choreographers in the large gallery, followed by individual interventions by each one of them, in interaction with the people around.

THE KNOWLEDGE OF POSING from Voguing tradition to the Museum’s conventions,
is a workshop led by Mother Lasseindra Ninja, within the MAC VAL Museum collection. From the circulation of vogue practice and culture to pose learning, this is time for reflection on the act of posing within a museum.

The crew from La da Favelinha, dancers Vitinho, Tiffany, Negona, Dudu and Dj Nym offered a Passinho dance workshop, a dance born in the Favelas of Rio de Janeiro.
A demonstration in movement of displacement knowledge and peripheral footwork dance.

The evening continued with a party to practice the moves with this question in mind: how can a party be a collection of gestures, how can such a collection be alive in a space such as a museum?

On Friday afternoon we attended a round table at La Briqueterie CDCN du Val-de-Marne with Prof. Dre Maria Aparecida Moura, Samuel Mwamé and Kdu dos Anjos from Lá da Favelinha.
“When the invisible becomes visible, the eye takes time to get used to – peripheral innovation, epistemological reparation & steady feet” is the title of this gathering and exchange of experiences and knowledge.

Prof. Dre Maria Aparecida Moura shared her research on epistemicide, colonial imperialism of knowledge. Samuel Mwamé shared the importance of a taking a step through the practice of tap dancing. Kdu dos Anjos shared the story and the model of the social and cultural independent center Lá da Favelinha he founded in Belo Horizonte, a place for dance practices with a library, English, yoga, or rap classes, a fashion department and that also organises social and cultural events.

On Friday the whole team spent the day at La Briqueterie CDCN du Val-de-Marne. The morning started with a practice-based workshop led by Susanne Franco and Gaia Clotilde Chernetich on the glossary they are currently developing for Dancing Museums 2.
In the studio ouest we worked in small groups around key words such as “site-specific” “material and immaterial”, “communities” to explore the vocabulary in a participative and active way.

Today more encounters with students, children, teenagers, teachers, facilitators at the MAC VAL Musée d’Art Contemporain du Val-de-Marne! The team worked in twos to think about workshops for inside the museum space. Here’s a glimpse of what was going on in the different spaces.

Today, sharing time with a workshop with the AS Hip Hop from Collège Pasteur of Villejuif at the MAC VAL Musée d’Art Contemporain du Val-de-Marne and independent time for the choreographers inside the museum!

This afternoon, we are walking from La Briqueterie CDCN du Val-de-Marne to the MAC VAL Musée d’Art Contemporain du Val-de-Marne. Walking is good for the soul, the body and the mind and it’s also a good way to explore the evolving territory of Vitry-sur-Seine, its inhabitants and architecture, giving food for thought for the week. The team is accompanied by Franca Malservisi and Cloélia Perreau from Caue Val de Marne.

✨ After a first full day in Vitry-sur-Seine yesterday, the Dancing Museums team gathered this morning at La Briqueterie CDCN du Val-de-Marne for a time of sharing and reporting on the ongoing research.

On Monday 25 November, the day continued with lunch at the MAC VAL prepared by the
Centre Social Les Portes du Midi and a visit in the afternoon to art theoretician Jean-Claude Moineau at his house-library!

The discussion was transmitted live on the Dancing Museums Facebook page, check it out here: https://www.facebook.com/Dancing-Museums-455374791301823/

The Dancing Museums team has arrived at the MAC VAL Musée d’Art Contemporain du Val-de-Marne for a new week of workshops, exploration and sharing! This morning, we visited the museum from the storage and archives space to the rooftop! With Stéphanie Airaud (Head of Public Department and cultural programme), curator Frank Lamy and Bernard Cabrisy (Head of Building and Security). Follow us all week right here and on our facebook page!

#dancingmuseums